Day 298: The Call Of Cthulhu

The Call Of Cthulhu

Nice try, Cthulhu. I have Caller ID!

"Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn." To most people, that previous sentence looks like a word salad jammed into a sentence smoothee. For those, like me, who love the work of H.P. Lovecraft, that is probably one of the most famous lines in all of horror literature. The line comes from the Lovecraft story of the same name, the most popular and well known of all his work. Despite being a master of horror, Lovecraft's work has never been faithfully transitioned to the big screen. Hollywood can't seem to wrap their heads around his work and yet M. Night Shyamalan continues to get work. Sometimes you have to step out of the bright lights of La La Land in order to get to the real heart of a story and give it the love and attention it deserves.

The Call Of Cthulhu is a 2005 independent black and white silent film based on the story by H.P. Lovecraft (Pickman's Model, The Case Of Charles Dexter Ward). An unnamed man sits in a mental hospital, warning his doctor that something horrible is going to occur. The man relates the story of how he came to possess such knowledge. His grand uncle, George Gammell Angell, a professor at Brown University, had been treating a young man suffering from horrible dreams. Angell takes extensive notes until the man's death. In 1908, Angell and a group of other antiquarians gather at the American Archaeological Society in St. Lous, Missouri. John Raymond Legrasse, a police officer from New Orleans, produces a strange looking idol and asks the group of professors if they had seen anything like it. The statuette is of a hideous looking monster with wings and unearthly tentacles on it's face. While most are baffled, one eye-patched man, recognizes it and recalls when he was on an expedition and was attacked by an “Esquimaux”. He identifies the statue as “Cthulhu”. Officer Legrasses explains that the statuette came into his possession during a raid in the swamps of Louisiana. The police raided a ritual being performed by a cult who were praying to someone or something named “Cthulhu”. One prisoner is taken into custody and explains that Cthulhu is one of the Old Gods who now sleeps in the forgotten undersea city of R'lyeh. The cult is praying to Cthulhu and waiting for him to awaken from his slumber when the stars are right. After his granduncle's death, the man now in the hospital, read through his notes and became obsessed with Cthulhu, putting together all the different pieces from the story. He finds a news clipping that talks of the ship Emma which encountered the yacht Alert. Something horrible happened on that ship and only one sailor from the Emma survived. The man travels to New Zealand and then Norway in search of the sailor, only to discover that he has died. He does receive the man's diary which explains how the crew of the Emma landed on a strange and dangerous island. Who or what is on the island and does Cthulhu actually exist?

"That's the last time I eat White Castle before going to bed!"

Without a doubt, The Call Of Cthulhu is probably the best adaptation of Lovecraft's work to make it to the screen. The main reason why is works so well is because it is very faithful to the original work. Other Lovecraft adaptations like The Resurrected and The Dunwich Horror are changed around to fit a budget, or capabilities, or just because some filmmakers are lazy. Many in the past have claimed that The Call of Cthulhu story is “unfilmable,” but this movie proves the naysayers wrong. While not having a particularly large budget, director/producer Andrew Leman (The Whisperer In Darkness, A Shoggoth on the Roof: The Documentary) manages to make the most out of this lofty story through various filming and writing tricks. The movie is portrayed as being from the silent era of film and it works to the movie's advantage. Care is taken to have the film look aged and the music fits perfectly. The black and white footage allows for clothes and sets to be any color and very little makeup is needed for actors. By being silent, there's no need to worry about actors flubbing lines or audio editing. Since the movie has no speaking, the actors have to work that much harder to get across emotion and they all do a good job. How does one show the enormous and monstrous-looking Cthulhu? How about good old-fashioned claymation and perspective shots.

If there is one complaint with the movie is that it's too short. It clocks in at around 45 minutes which is a shame because it is so enjoyable. By having such a short run time, the story does feel rushed at times. While not Lovecraft's longest story, it is complex with many different parts fitting into the overarching Cthulhu story. A few too many details are crammed in and for those who are not familiar with the original story, the story may be a bit confusing. There are a few changes from the original story, but nothing significant to completely change the story. The claymation used for Cthulhu is just OK and some may even be disappointed. We only get a few brief shots and it does keep with the “era” that the movie is supposed to be from. To be fair, it's difficult to create a giant, winged god with tentacles on it's face. There is a bit of action, but no blood or gore to speak of, which is perfectly fine. The story has a traditional horror feel and it ends on the proper down-note.

Collect the whole set

With enough effort and love, just about anything can be created. While Lovecraft stories may not be the easiest to reproduce on the big screen, The Call Of Cthulhu proves it is not impossible. The story is translated well which keeps the hardcore Lovecraft fans happy while giving non-fans a good introduction to his work. By making the movie into a black and white silent film, they are able to create a unique viewing experience that most people have never seen. It also helps that doing so kept costs down. The sets look great and the expressive acting makes you forget there are no speaking roles. If you're a fan of Lovecraft or just want to see something unique, definitely check out The Call of Cthulhu.

9/10

Day 264: The Resurrected

The Resurrected

Is this a horror movie or an antacid advertisement?

H.P. Lovecraft is one of my favorite writers. His ability to craft creative horror and science fiction that is still scary almost 100 years later is second to none. For whatever reason, almost every adaptation of his work on the big screen is terrible. Some movies draw strongly from the source material and some use the basic premise, but the end result is usually the same: horrendous movies. It's also not uncommon for a movie to use Lovecraft's name and his titles only to trick people into watching their celluloid bowel movement. The Tomb is a perfect example of this act. I'll never understand why it's so difficult to make a good movie based on H.P. Lovecraft's work. Maybe it's because I have such high expectations and I'm setting myself up for disappointment. What better way to explore this theory than by watching a movie I didn't initially know was a Lovecraft adaptation?

The Resurrected is a 1992 direct-to-video horror movie adapted from the H.P. Lovecraft short story “The Case Of Charles Dexter Ward”. Directed by Dan O'Bannon (Alien, The Return Of The Living Dead), the movie stars John Terry (Full Metal Jacket, 24) as private investigator John Marsh. The movie is told mostly in flashback from Marsh's recollection. John is hired by Claire Ward (Jane Sibbett, Friends, The Second Arrival) to look into the increasingly strange behavior of her husband, Charles Dexter Ward (Chris Sarandon, Dog Day Afternoon, Child's Play). Charles has moved from his spacious house in Providence, Rhode Island to a small bungalow in the rural Pawtuxet Valley region. He receives deliveries of long, wooden crates at all hours of the night and is very secretive of it's contents. The deliveries are followed by the overpowering stench of rotting meat or animal carcasses. Charles also begins to surround himself with undesirables, including the mysterious Dr. Ashe. Claire tells John that Charles had recently inherited the belongings of a long-dead relative named Joseph Curwen. Curwen was a shipping magnate and alchemist in the 1700's, eventually earning the reputation as a grave robber. Through his research, Curwen was able to unlock the secrets of immortality with the usage of “essential saltes” and fresh corpses. Charles' personality has changed so much that he now speaks in an antiquated style and is eventually committed to an insane asylum. John, along with Claire and his partner Lonnie, break into the bungalow and discover and underground laboratory which is filled with the ashes of other known occultists and alchemists. It is revealed that Curwen has in fact come back to life as Dr. Ashe and intends to bring back others. Along with the lab, there are a series of tunnels and the group encounter hideous half-human monsters and abominations, including one that kills Lonnie. How will John be able to stop the resurrected Curwen and is it too late to save the true Charles Dexter Ward?

Today's weather: Partly cloudy with a chance of grease

Initially, I didn't know The Resurrected was going to be an H.P. Lovecraft story. It became pretty obvious once the story took place in Rhode Island (a Lovecraft staple) and the name “Charles Ward” was mentioned. Of course, this raises the question, “Why did they not just named the movie 'The Case of Charles Dexter Ward'?” I, along with other Lovecraft fans, would have discovered this movie much sooner if the connection was more obvious. The title “The Resurrected” is fine, but it's so generic that it could be about anything. I mean, “The Resurrected” is probably the name of a local metal band. Or hardcore band. Or punk band. See what I mean? As far as Lovecraft adaptations go, this movie actually fairs better than most other attempts. It's updated to the early 90's (which is apparent in the furniture, clothes, and greasy “professional” mullets) with some extra characters and situations added, but it's essentially the same story. Lovecraft himself didn't like the story and it was published posthumously, but I enjoy it immensely. The original story has a good mixture of mystery and suspense with a healthy dose of old-fashioned horror. The film version fairs well-enough in trying to incorporate all of these elements into a cohesive film. One funny thing I noticed in the movie is when John tells someone that he drove two hours to get from Providence to Pawtuxet Valley. In reality, it's about a 15 minute drive and the area is neither rustic nor remote. When Lovecraft wrote the story, that might have been more true, but today it's a silly mistake. It was also disappointing to see that the movie was actually filmed in British Columbia and not actually in Rhode Island.

Despite having an obviously low budget, The Resurrected manages to use some pretty good special effects and makeup. I was actually surprised at how good some of the monsters looked in the movie as the prosthetics look quite scary. There is also a good amount of blood and gore which was completely unexpected. Despite writing scary stories, Lovecraft's work was never particularly gruesome or graphic. The problem is that these scenes are too few and far between. The movie is about 20 minutes too long and tends to drag in the beginning. For this type of story, a fast, steady pace would have been better than the slow drips we got. The acting is decent, but some of the dialogue is too cheesy for me to handle. Chris Sarandon puts on the best performance in The Resurrected, but not until about halfway through when his personality changes. It's a whole lot of scenery chewing, but in a fun way, and fits in well with the new character. I do question why they set the movie in modern times when they competently show flashbacks to pre-Revolutionary times. I think the movie would have had a more authentic horror feel if it had taken place in the early 1900's instead of the 1990s.

"Does my throat look red? It feels sore."

The Resurrected is a decent adaptation from a lesser-known H.P. Lovecraft story. While it may not be the first Lovecraft movie that deserves a shot at the big screen, it is a fun and exciting story, that in the right hands, could have been great. The movie has some good moments, mostly from gory violence and good prosthetic work. The pacing is a little slow and the movie runs about 20 minutes too long. Chris Sarandon is great with the rest of the cast pulling up the rear. If you're a Lovecraft fan, you'll enjoy the references and effort, but may be disappointed in the end product. Still, The Resurrected isn't a bad watch and some may enjoy it as a starting point to get into Lovecraft's work.

6/10

Day 181: Inkubus

Inkubus

Spelling was always his worst subject

I don’t go to horror conventions. I have nothing against them, they just don’t appeal all that much to me. Buy some movies, get your picture with Kane Hodder, see some people dressed up as movie characters. There’s nothing wrong with that, I just have little desire to see trailers for upcoming movies or listen to a panel discussion from the crew working on Saw 19: This Time It’s Personal. Also, I don’t feel like driving long distances to be around sweaty nerds (love you guys, keep visiting the site!). Such wasn’t the case though, when the people involved with the Independent horror movie Inkubus came literally within walking distance of me to talk about the movie. Oh, and Robert Englund was going to be there. ROBERT ENGLUND! They played a trailer for the movie and answered questions from the group. To my disappointment, Mr. Englund could not make it, but his co-star William Forsythe was there and was kind enough to take a picture with me. It was time to finally see Inkubus.

Your favorite blogger with Mr. William Forsythe

Inkubus is a 2011 independent horror movie starring Joey Fatone (My Big Fat Greek Wedding, being in freaking N’SYNC) as Detective Tom Caretti, William Forsythe (Raising Arizona, The Rock) as retired Detective Gil Diamante, and Robert Englund (A Nightmare on Elm Street, 2001 Maniacs) as Inkubus. The movie is told mostly in flashback told by a committed Det. Caretti. A small crew is working the final shift in their closing police station in Wood Haven, Rhode Island when a young man arrives named Mikes, covered in the blood of his decapitated girlfriend. He claims to have seen a man covered in shadow in his room before blacking out. As Miles is being questioned, a man named Inkubus walks into the police station holding a woman’s severed head. He surrenders freely, making his phone call via magic to retired Detective Diamante, beckoning to come to the station so he could confess. Diamante was the closest to capturing Inkubus and was eventually committed after the murder of his wife and disappearance of his son. Inkubus reveals that he has committed numerous murders over the centuries and is closing in on being 100 years old. To continue his survival, he must be reborn in a new body. Using his powers, Inkubus begins to play mind games with the officers and killing them in brutal fashion. Will Diamante finally confront his demon and why is Officer Jen Cole, Caretti’s girlfriend, suddenly in such much pain?

Even evil demons need nap time

Independent horror movies are a real mixed bag. Usually low in budget and star power, indie horror has to rely on creative ideas, good storytelling, and innovative tricks to set themselves apart from bigger Hollywood productions. Inkubus is the exception to the rule because it has established actors involved. Robert Englund, one of the kings of horror, is great as Inkubus, relishing in the character’s evil malevolence. On paper, lines like “Abra-fucking-cadabra” and “Killing is magic” may seem clichéd, but uttered by Englund, it takes on a serious and sinister feel. William Forsythe is enjoyable as the broken and emotionally fragile Diamante. His soft demeanor creates an air of sympathy from the audience and really makes us want to see him defeat Inkubus. Joey Fatone is OK, it’s just hard to talk him seriously as an authority figure. The performances by the supporting cast range from passable to questionable.

The story itself has a few good moments, but overall, doesn’t feel particularly thrilling or interesting. It pretty much boils down to “evil supernatural being fucks with some cops.” There are a few good moments and a decent idea or two, but it just misses the mark in terms of being a complete movie. Making the story told in flashback by Joey Fatone while he’s in an insane asylum is clichéd and unnecessary. Adding this little bit is pointless and adds nothing to the movie other than seeing the guy from N’SYNC in a straight jacket in the world’s brightest white room. The movie tries to compensate with some questionable special effects and a surprising amount of blood and gore. I mean, one person’s spine gets ripped out. Spine. Gets. Ripped. Out. It’s unexpected to say the least and is unintentionally funny when you see Robert Englund just holding a spine in his hand. Another poor effect occurs when Officer Cole gives birth to a demon baby. It look so silly and the movie would have been better served implying the baby is a demon than showing a Cabbage Patch doll with horns covered in red food coloring. Sometimes less is more.

Inkubus has some good moments and lots of gorey violence, but it’s just not enough to get over a mediocre story that doesn’t really go anywhere. Robert Englund and William Forsythe put on strong performances and actually make the movie far more tolerable than it would have been if unknown actors had the lead roles. I liked that the film took place in Rhode Island, a state full of scary places and colonial history. As far as independent horror goes, Inkubus isn’t that bad. I have seen much, much worse. It’s heart was in the right place, it just needed a head to follow.

5.5/10