Bruiser
Hey, wasn't this guy in "Dick Tracy"?
It's no secret that I love George
Romero's “...of the Dead” series of movies. I even like the new
set of “Dead” movies that have come out in the past few years,
though not as much as the original trilogy. One of the reasons why I
started doing this blog is to watch horror movies that I have always
wanted to see, but never had to chance to. Another reason is to see
less popular movies by directors I love. Sure, just about everyone
knows that George Romero is the father of the zombie genre, but what
about his other movies? I previously reviewed one of his non-zombie movies, Monkey Shines and while it wasn't ahmazing, I still enjoyed
it for what it was. I might as well check out another Romero movie.
Bruiser is a 2000 horror film written
and directed by George Romero (Night Of The Living Dead, Dawn Of The
Dead) and starring Jason Flemyng (Snatch, Lock, Stock, and Two
Smoking Barrels) as Henry Creedlow. Harry works at a fashion magazine
called Bruiser under the abrasive and uncouth owner, Milo Styles
(Peter Stomare, Fargo, The Big Lebowski). Henry tries his best to
create a happy life with his wife Janine (Nina Garbiras, The Nanny
Diaries, You Can Count On Me), despite an unfinished house and not
having as much money as he once thought. People have walked on Henry
all his life, but he lets things go. Despite his efforts, he goes
fairly unnoticed at both work and at home, though he does have a good
connection with Rosemary (Leslie Hope, Human Cargo, Star Trek: Deep
Space Nine), Milo's wife. At a party, Rosemary hands Henry a white,
featureless mask to paint, but before he can, he spies Janine
cheating on him with Milo. That night, he mentions seeing them, but
Janine verbally abuses Henry and drives away, eliciting no response
from him. The next morning, Henry wakes up to discover that his face
has been replaced by the featureless mask from the party. Scared and
confused, Henry observes his housekeeper stealing. Rather than
letting it go like he used to, Henry kills her in a fit of rage. At
the Bruiser office, Milo is caught having sex with Janine by
Rosemary. While Milo tries to explain himself to her, Henry confronts
Janine. He wraps an extension cord around her neck and throws her out
a window. Det. McCleary (Tom Atkins, Creepshow, Escape From New York)
investigates her death, believing Henry might be the culprit despite
Rosemary being seen at the building. Now a featureless blank slate,
Henry is free to express himself and take revenge on those who have
wronged him. Henry has lived his life as an anonymous nobody, but now
everybody knows that he is a killer. Will Det. McCleary be able to
stop him and what will happen to Henry if he completes his revenge?
Joan Rivers in her most convincing role ever
It's no secret that George Romero loves
social commentary as it is on full display in Bruiser. The movie
brings to mind Arthur Miller's play, “Death Of A Salesman.” Both
Willie Lowman and Henry Creedlow are down on their luck with their
world's slowly crumbling around them. Even their names are
thinly-veiled descriptions of who they are. By replacing the main
characters face, Romero allows the audience to project whatever they
want on to the main character, but it will most likely be their own
face. Doing so provides both satisfaction and disgust as we, the
audience, may want to gain revenge, but acknowledge that we can never
lose control. It's this loss of control that is scary, far scarier
than anything else in the movie. Somewhere along the line, the movie
forgets to be a horror film and focuses more on the revenge fantasy.
I mean, the poster says “Meet the new face of terror” but there
is no real terror to speak of in the movie, unless we're getting
abstract. While I understand the significance of having Henry work at
a modelling magazine, it seemed out of place for a movie in the year
2000. That type of setting would fit better for the 80's or even
early 90's.
Jason Flemyng was a good choice for his
role as he is fairly nondescript without a lot of face or name
recognition. His soft, monotone voice is perfect for the role, making
him all the more creepier. Peter Stomare is purposely over the top,
but is almost to wild to believe. Tom Atkins plays his part well
enough, but I feel like Romero was trying to go with an old-school
film noir style with his character. Det. McCleary says “dame” so
many times I expect him to be in black and white. There is also a
cameo towards the end by the legendary horror punk band, The Misfits.
They contributed songs to the soundtrack and appeared in the movie in
exchange for Romero directing a video for their song “Scream”.
The movie has plenty of Romero touches with it's bleak outlook and
showcase of ugly people. The ending is a bit disappointing with no
real lessons learned. It was far too simple for a movie with
complicated social commentary. The movie does drag a bit in-between
killings, which should have been more plentiful. There is some blood
and violence, but there really should have been more of it, just to
show how far Henry has changed from mild-mannered to bloodthirsty
lunatic.
Famous Monsters
Bruiser is a clever movie with smart
social commentary. The action is limited, despite focuses on revenge.
The movie needed a lot more blood and gore than was provided. Even
though it was billed as a horror movie, there isn't much horror and
no scary scenes. Romero does a good job of bringing his brand of
storytelling to the screen, though some of the dialogue and
characters are too over-the-top. Jason Flemyng is very good in his
role and the makeup used for his blank face looks very good, allowing
him to emote properly without much room for actual expression. Though
not as good as his zombie movies, George Romero still manages to make
Bruiser entertaining for what it is.
6.5/10
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