Day 305: Halloween

Halloween

Who wants pumpkin pie?

C'mon, like I was going to review any other movie on Halloween. Sex In The City did cross my mind, but even I can't handle that type of unspeakable horror. While not the first in the slasher genre (Both Black Christmas and The Texas Chainsaw Massacre predate it), Halloween propelled the idea to the next level, spawning countless knock-offs, remakes, and sequels. It also helped make John Carpenter a household name in the world of horror. While Halloween was not intended to be a franchise based on Michael Myers, the character proved to be so popular that when the third Halloween had nothing to do with the killer, audiences reacted negatively. Rather than randomly picking a movie out of the franchise and possibly suffering through the one with Busta Rhymes, I figured it's best to start at the beginning.

Halloween is a 1978 slasher horror film written and directed by John Carpenter (They Live, The Thing). The movie stars Jamie Lee Curtis (Trading Places, True Lies) as teenager Laurie Strode and Donald Pleasance (Escape From New York, Prince Of Darkness) as Dr. Sam Loomis. On October 31, 1963 in Haddonfield, Illinois, a young boy named Michael Myers brutally murders his sister with a butcher knife. Michael is sent to Smith's Grove Sanitarium where he is placed under the care of Dr. Loomis. For almost fifteen years, Michael remains in an almost catatonic state, showing no emotion and never speaking. The night before Halloween, Michael escapes the sanitarium and Dr. Loomis desperately tries to track him down, believing he will head back to his childhood home. The next day, high school student Laurie Strode continuously has the feeling that she is being watched and followed. She is unaware that Michael Myers is the one stalking her. That night, Laurie babysits a young boy named Tommy Doyle (Brian Andrews, Halloween II, The Great Santini) while her friend Annie (Nancy Kyes, Assault On Precinct 13, The Fog) babysits a young girl named Lindsay Wallace. Tommy is constantly afraid that the boogeyman is going to get him, but Laurie reassures him that there is no boogeyman. Dr. Loomis combs the streets with the local sheriff, searching in vein for Michael, who is going around the neighborhood killing people. Annie goes to see a boy and drops Lindsay off with Laurie, but is soon murdered by Michael. Will Dr. Loomis be able to stop Michael in time before he gets to Laurie and the kids?

It's like ten thousand spoons when all you need is a JESUS, LOOK AT THAT KNIFE!

This is the movie that started it all for slashers and it did so on the strength of it's story, not with a big budget or fancy effects. Made for around $325,000, Halloween manages to be scary and thrilling without the use of gimmicks. Carpenter weaves a story that is entirely realistic which helps give the movie a scary credibility. Setting the events in the suburbs and in people's homes brings the fear straight to the audience. The atmosphere is dark without drifting off into fantasy. The music is probably one of the most lasting parts of the movie. Everyone knows the classic theme music, but it's the simple 2-note piano throughout the film the truly creates tension. We know something is going to happen, just not what or when or where. The movie has a good amount of action with some fun and unique kills. There is a decent amount of blood, but nothing compared to today's movies. There are some truly great scenes like when Laurie continuously finds bodies in the house and when she fights Michael at the end.

The character of Michael Myers is the manifestation of all our fears. He is unstoppable in his singular goal of murder. There is no reasoning with him, no pleading for your life. He does not speak and his featureless mask (a modified Captain Kirk mask) allows the audience to project whatever they want onto the killer. Carpenter does a great job of drawing the audience in at the beginning and then paying off when it comes to the action. Jamie Lee Curtis is very good in her role and comes off as a believable heroine at the end. The movie does run into a little bit of trouble with the “annoying kid” factor, but so much is going on that it's easy to ignore. Donald Pleasance is great as Dr. Loomis, exuding an air of urgency while still remaining level-headed. It's his steely resolve that makes his mission seem all the more important. If he was frantic and terrified, it would have made the movie cartoonish and silly. Thanks to Carpenter's writing, the characters are all believable and enjoyable to root for.

Paper beats rock, gun beats giant butcher knife

While it wasn't the first slasher, Halloween may be one of the most important horror movies. It is proof that you don't need a big budget to make a lot of money and have an impact on future generations. The story is highly enjoyable and treats the audience as equals. Donald Pleasance and Jamie Lee Curtis are both very good in their roles and help make the movie more complete. The action is solid and the kills are fun to watch. The movie has the right kind of atmosphere, thanks largely to the great, simple music. While a little tame compared to today's standards, Halloween still has a lot of frights and a genuine feeling of horror. Once you're done trick or treating and partying, turn off the lights, curl up on the couch and watch the horror classic.

10/10

Day 250: Prince Of Darkness

Prince Of Darkness

Pretty. Insane, but pretty.

Satan. Lucifer. Beelzebub. Scratch. Dick Cheney. The Devil has many names and comes in many forms. Some believe he is a physical being, torturing condemned souls in the fiery pit of Hell while others believe he lives within every human being, causing us to do evil. Whether you believe in Heaven and Hell or God and Satan, the Devil makes for a pretty good horror movie villain. Since just about everything regarding his Goatship is open to interpretation, writers and directors are free to design how he looks as they see fit. While some movies go for the traditional pitchfork and horns, others go for something abstract. And then there's John Carpenter who adds his own little twist with his brand of horror.

Prince of Darkness is a 1987 horror movie written and directed by John Carpenter (Halloween, The Thing). The movie stars Jameson Parker (JAG, Simon & Simon) as metaphysician/student Brian Marsh and Lisa Blount (An Officer And A Gentleman, Box Of Moon Light) as fellow student Catherine Danforth. Father Loomis (Donald Pleasance, Halloween, Escape From New York) approaches their professor, Howard Birack (Victor Wong, Seven Years In Tibet, The Last Emperor), in need of help. A fellow priest who had recently died, left a box containing a key to an underground labyrinth beneath an abandoned church in Los Angeles. Inside the labyrinth is a cylinder filled with a swirling green liquid that appears to be growing in power. Birack gathers his students at the church, including Brian and Lisa who have begun to fall in love, in an effort to find out just what is in the cylinder. They are joined by other specialists including a woman to translate ancient text from a 2,000 year old book found next to the cylinder. The group notices that homeless people, led Street Schizo (Alice Cooper, Suck, Wayne's World 2), begin to encircle the church. When a group member leaves the church, Street Schizo impales him with part of a bicycle. After parts of the book is translated, it is revealed that the liquid is a conscious, living embodiment of the Prince of Darkness, Satan. Satan's powering is growing, changing the sky and overloading their computers. Loomis tells the group that the Church had been keeping the information about Satan a secret for thousands of years in order to protect humanity. Various members of the group begin to share the same dream, which appears to be a warning from the future. Satan is able to finally free itself from the cylinder, shooting liquid onto Susan, a radiologist with the group, making her into a slave. She begins possessing other members of the group including Kelly, who had a strange mark on her arm earlier in the day begins to physically change. She becomes the ultimate incarnation of Satan, complete with fantastic powers. Birack and the priest discover that Satan is the the son of an even more powerful entity and plans to bring him into this world. Surrounded and out-numbered, how will they be able to stop Satan from bringing his father into our reality?

Who wants Jell-O?

I'm a fan of John Carpenter's work so it came as a bit of a surprise when I came across Prince Of Darkness because I had never heard of it before. How can a movie by the man behind such classics as Halloween, The Thing, and Escape From New York just go completely under the radar? I think part of the problem is that the movie is too abstract for the average movie-goer. Thanks to mainstream media, we all have a preconceived notion of what the Devil should look like and a swirling green liquid doesn't fit that idea. I appreciate the desire to be different and I feel it works in the movie's favor since it's not your average horror movie. The general idea for the movie came from Carpenter's interest in theoretical physics and atomic theory and it shows. It's nice that the movie tries to give a scientific explanation for things, but it occasionally gets bogged down in specifics, leading to some confusion and bordedom. There is a good amount of action in the movie, though, with some nice violence and traditional horror scares. A lot is crammed in to the movie and certain aspects, like the dream message or Brian and Catherine's relationship, aren't really given enough time, especially given their importance.

Carpenter creates a great atmosphere that lasts throughout the movie. Shot with wide-angle lenses in an anamorphic format, the movie is very unsettling. The gothic feel of the church adds to the overall creepiness brought out by Carpenter's signature synthesizer music. What really sticks out to me are the small, minor changes in the actors when they become possessed. Much like spider-walk and head spinning scenes in The Exorcist, the unearthly sounds coming from the possessed group really touches a nerve. The acting is pretty good all-around and every plays their parts well. Jessie Lawrence Ferguson, who plays a group member named Calder, mixes strange giggles with weeping that send chills up my spine. The ending is quite good I actually had a nightmare related to this movie, so you know it has something working for it. The movie doesn't have your typical scares, but it manages to stick with you.

"We can't find Waldo anywhere!"

Prince Of Darkness is an underrated and undervalues horror movie from one of the masters. John Carpenter is able to craft a scary, surrealistic movie with a good amount of action and suspense. The abstract ideas and specific detail may keep some people away, but it's worth sticking with the movie. The atmosphere throughout the movie is very good thanks in part to the creepy music and creative camera shots. While it may not be the most well-known John Carpenter movie, it is well worth the time to watch. It is fun, scary, and unique. If you need a movie that will make you think and feel that you may not have seen before, Prince Of Darkness is a good choice.

8.5/10