The Best Of 365 Days Of Horror

A "Best Of" list from all the movies I have reviewed

Better than all the rest

Greetings fellow horror fans. Have you missed me? I sure missed you. I know I posted back in January that I was going to post a few more things, but life always manages to get in the way. To make up for my lack of posting, here is my "Best Of" list where I break down some of my favorite movies from the past year. If you think I should add another genre or missed out of something, leave me a comment. I'll be doing a "Worst Of" list soon as well. Hopefully it won't take me four months to get to like this post.

Zombie Movie (Romero)

Dawn of the Dead

George Romero sure does love his zombie movies. Most people split them up into two categories: The original “...Of The Dead” trilogy of Night, Dawn, and Day and then the recent trilogy of Land, Diary, and Survival. Most would agree that the second trilogy is far inferior to the first three movies. Each of those movies have their moments, but they have too many flaws to even be mentioned in the same breath as the original trilogy. While Night and Day are both entertaining, Dawn Of The Dead is really head and shoulders above the rest. The action starts off right away, the characters are good, and the violence is great. The movie really picks up when they get to the mall, fulfilling the audience's fantasy of doing whatever they want. As is common with Romero's other movies, Dawn has a lot of smart social commentary and really positions people as the real monster.

Runner-Up: Night Of The Living Dead

Zombie Movie (non-Romero)

Pontypool

Pontypool really caught me by surprise. I watched the movie on a whim with no prior knowledge. I saw no trailers, read no reviews. I hadn't even heard of it until I started watching. It's a smart zombie movie that is also incredibly scary. While it may not have as much blood or violence as your typical zombie movie, it stays true to the basic tenets of zombie horror. There is a true sense of panic and utter hopelessness as the movie progresses. I also appreciated that the zombies come about not because of radiation or the dead coming back to life, but because of “infected” words that change people. It's abstract and unique, yet still plausible.

Runner-Up: Exit Humanity

Vampire Movie

From Dusk Till Dawn

Despite almost half the movie having no vampires, From Dusk Till Dawn is still an incredibly entertaining vampire movie. It doesn't hurt that the cast includes George Clooney, Harvey Keitel, Juliette Lewis, Quentin Tarantino, and a bikini-clad Salma Hayek. The movie has equal parts action, suspense, and horror, all of which make for an incredibly fun watch. It's over-the-top entertainment thanks to the great performances and director Robert Rodriguez's incredible eye for action.

Runner-Up: John Carpenter's Vampires

Werewolf Movie

An American Werewolf In London

Director John Landis manages to create a werewolf movie that is both scary and funny. The movie is best known for it's werewolf transformation scene. Unlike previous movies, the transformation takes place in clear light for an extended period. Thanks to incredible special effects, the audience practically feel the pain of the transformation as well. It's your traditional werewolf movie, but thanks to good acting and solid direction, An American Werewolf In London is a great watch.

Runner-Up: Ginger Snaps

Monster Movie

The Host

The Host is fashioned after the classic Godzilla movies from Japan. The movie has plenty of emotion and lots of social and environmental commentary. The monster itself looks very good thanks to some great special effects work. The characters are all likable and relatable. Thankfully the movie is in it's native Korean and not dubbed. It's a little long, but it's worth it.

Runner-Up: Monster Brawl

Foreign Movie

Frontier(s)

Frontier(s) came out of nowhere for me. I had never heard of it before and decided to watch it on a whim. It is shockingly violent, but does not rely on gore alone. It's brutal, grim, and gritty, and not for everyone. The sets and natural locations both look very good and transport the viewer to another place, fully enveloping them in horror.

Found Footage Movie

Cloverfield

Cloverfield manages to put the audience directly in the path of a gigantic monster. The movie uses Manhattan to it's advantage with scenes on bridges, on the streets, and in subways. You really feel like you're right there with the characters. There's even a decent love story thrown in for good measure. The monster looks great and some great camera work makes Cloverfield more than just another shaky-cam headache-a-thon.

Runner-Up: Quarantine

Favorite Slasher Movie

Satan's Little Helper

I have a special love for Satan's Little Helper. It's cheap, simple, and occasionally stupid, but it's still incredibly fun. The mask for “Satan” looks great and I love that we never see the killer's face. Technically, we're not even sure of the killer's true identity. The ending manages to be both scary and depressing, a high accomplishment for a lesser-known movie. While it might not make it on many (or any) lists, I enjoyed it immensely and have given it multiple views.

Runner-Up: Halloween

Favorite Universal Monster

Dracula

The classic story is full of horror, romance, and romantic horror. Bela Lugosi is the one and only Dracula and everyone else after him is just holding his place until he inevitably rises from the grave once more. The movie is over 80 years old and hasn't lost anything to time or changing trends. The movie is drenched in shadow giving it an unshakable creepiness that stands to this day.

Runner-Up: Frankenstein

Favorite Horror Comedy

Dracula: Dead And Loving It

It's Mel Brooks and Leslie Nielsen. What more could you want? The movie stays pretty true to the Dracula story, but still manages to cram in loads of laughs. While it may not be Brooks' best movie, it's still far better than any sort of “spoof” movie that has come out in the past twenty years. Comedy doesn't always work in horror, but Mel Brooks manages to do the impossible.

Runner-Up: Suck

Favorite Satanic Movie

Prince Of Darkness

I don't know why, but something about this movie legitimately scared me the first time I watched it. The slow descent of the outside world, the race against time, and the supernatural elements all work together to create something awkward and unsettling. We only see the arm of the Prince of Darkness and it still manages to be frightening. An unsung gem by John Carpenter.

Runner-Up: The Omen

Favorite Stephen King Movie

Misery

Misery is scary because it is very real. There's no supernatural elements, no aliens, no magic powers. Just a man trapped in a room with a psychopath. The real praise goes to James Caan and Kathy Bates who put in award-winning caliber performances. Director Rob Reiner does a great job giving us both thrills and chills. Misery proves that you don't need wild stories and fantasy to make good horror. Sometimes a person is the scariest monster.

Runner-Up: The Shining

Favorite Sci-Fi Horror Movie

The Thing

One of my all-time favorite movies. What can be scarier than an alien creature that can look like anything? An alien creature that can look like hideous twister monsters. Thanks to some great special effects, we see a monster straight out of our nightmares. The movie has plenty of mystery, action, suspense and horror. Kurt Russel is great as well as the rest of the supporting cast. One of John Carpenter's best.

Runner-Up: The Fly

Favorite Horror Anthology

Creepshow

When you combine two great horror minds like Stephen King and George Romero, you know you're in for a good time. Each story in Creepshow is highly enjoyable and could stand on it's own as a full-length. There are great performances from a myriad of talented actors that aren't necessarily synonymous with horror. People like Leslie Nielsen, Ted Danson, Ed Harris, Adrienne Barbeau, Hal Holbrook, and even Stephen King himself make the movie that much more enjoyable. The stories are all different and avoid falling into the usual horror cliches. Highly recommended.

Runner-Up: Trick R Treat

Favorite Masters Of Horror

Cigarette Burns

This was the one Masters of Horror episode that actually gave me the chills. I actually regret reviewing it so early because I feel like I probably missed some things. I really like everything about this movie; from the concept, to the acting, to the execution. Everything about it is as good as it is terrifying. The idea of a haunted video isn't new (The Ring anyone?), but once we actually see clips of said-haunted movie, everything becomes that much more terrifying. This could easily have been a full-length movie and could have even become a new horror classic.

Runner-Up: Family

Favorite Remake

The Crazies

The Crazies took a decent, if somewhat forgettable, George Romero horror movie and improved on it in just about every way. It manages to achieve both reasons for remaking a movie: Exposing the audience to something they might not have originally scene and making it better. The movie has lots of great action and some good scares. There are some memorable scenes and some pretty good acting that help the story along. I'm not the biggest fan of remakes, but The Crazies gives me hope for future ones.

Runner-Up: Fright Night

Most Shocking Moment

Eye-gouging scene from Zombie (Zombi 2)

Wow! This scene completely and utterly shocked me when I saw it. I was literally on the edge of my seat as I saw a woman pulled closer and closer to a piece of broken wood. Movies tend to cut away, leaving the brutal violence to the audience's imagination. Zombi stays with the scene, showing exactly what happens when the human eye meets something sharp. Here is the scene if you are morbidly curious.

Runner-Up: The “hobbling” scene from Misery

Day 362: End Of Days

End Of Days

Schwarzenegger should never be sad. He should always be punching something.

Arnold Schwarzenegger fights Satan on the eve of the new millennium. That plot sounds like it was written on the back of a high school notebook next to “Metallica Rulez” and doodles of pirates battling ninjas. While it sounds like a wacky idea it also sounds like a fun one. Schwarzenegger is not exactly known for his work in horror and the supernatural so the idea of him battling the forces of evil is at least different. Even in the late 90's, Arnold was still a draw as an action hero and slightly more believable battling the devil than, say, Jean-Claude Van Damme or Steven Seagal. Add in a well-rounded cast and some fun special effects and you can't go wrong, right?

End Of Days is a 1999 supernatural horror/action movie starring Arnold Schwarzenegger (The Running Man, Total Recall) as retired cop Jericho Cane and Gabriel Byrne (Stigmata, The Usual Suspects) as Satan. In 1979, newborn Christine York is chosen to bear Satan's child 20 year's later on the eve of the new millennium. The Pope sends out priests all over the glove to find the child and protect her from Satan. Twenty years later, Satan comes to Earth and possesses a Wall Street Banker, leaving death and destruction in his wake. Jericho Cane is assigned to protect the banker, unaware of his true nature, and saves him from an assassin. The would-be killer is revealed to be a priest named Thomas Aquinas (Derrick O'Connor, Dardevil, Deep Rising) who was sent to protect Christine. Jericho and his partner Bobby Chicago (Kevin Pollack, Wayne's World, Canadian Bacon) discover Aquinas's hideout and eventually find a now-adult Christine York (Robin Tunney, The Craft, Empire Records). She is attacked by the Vatican Knights, a group of Catholics that believe the only way to prevent the End of Days is by killing her. Jericho saves her, but Bobby is killed by Satan in an explosion. As Jericho and Christine escape, they first stopped by Christine's adoptive mother and fellow police officer Marge (CCH Pounder, Warehouse 13, Avatar), both who are in league with Satan. Satan visits Jericho in his apartment and tries to tempt him, offering to reunite him with his murdered wife and daughter. He refuses and shoots Satan to no avail. Eventually, Christine is captured by Satan and taken to a secret location in order to fulfill his evil mission. With New Years fast approaching, how will Jericho be able to save Christine and defeat the devil himself?

Don't leave the Prince of Darkness hanging

On the surface, the basic premise of End Of Days doesn't sound that bad. Sure, it's been done before and is fairly cliché, but it's not a terrible idea. Throwing in a mega star like Arnold Schwarzenegger, even at a price tag of $25 million, sounds even better. Unfortunately, that's where the good ideas end. The movie is a poor patchwork of various other Satanic horror movies and the final product is a confused mess that is high on explosions, but low on logic. It's never really clear why Satan chose the body that he did or why he chose to stay in it for so long. If he can control people, why does he have so much trouble finding and keeping Christine? Why is Jericho able to resist his control? Why does he need protection at the beginning of the movie in the first place? And if both the Vatican and Satan's minions have been planning for this event for two decades, why are they both completely inept? If the movie went at a quick pace, maybe some of these gaping plot hole. Instead we get a movie over two hours long full of extended fight scenes. I like fights and explosions as much as the next person, but it really kills any horror and suspense that the movie may have had. Another thing in the movie that I really didn't like was the hyper-sexual nature of the story. The entire plot is based on Satan raping a girl and along the way, he molests a few other women. There is even one scene involving incest. Implying these things would have been bad enough, but they are up front and in your face. It made me quite uncomfortable and took my focus away from the rest of the movie.

When you think of a depressed, suicidal cop from New York, do you think of Arnold Schwarzenegger? Of course not, which makes his casting in the role of Jericho Cane (nice name) a little strange. He does his best to show emotion and range, but really, it's just Arnold Schwarzenegger. He runs, he jumps, he shoots. He gets a lot of help from a pretty good cast that includes Kevin Pollack, CCH Pounder, Rod Steiger, and Udo Kier. Gabriel Byrne is out of place in his role since Satan is strangely portrayed not as evil, but mischievous. There was one funny scene where Satan told a skateboarder that he liked his “Satan Rules” shirt. The movie's soundtrack is also notable as it is a snapshot of what was popular at the time. Songs from bands like Korn, Limp Bizkit, Rob Zombie, Eminem and a new song from Guns N' Roses find their way into the movie at random intervals. The movie uses a lot of special effects, some good while others look dated through modern eyes. Thanks to international numbers and DVD sales, the movie did fairly well, but not as well as studios were expecting. Maybe the world just wasn't ready for a depressed Arnold and a goofy Satan.

Look at that emotion!

End Of Days sounds decent on paper. It has a big-name star, a good supporting cast, lots of violence, special effects, and a hip soundtrack. Unfortunately, the movie's story is all over the place, leaving huge plot holes and focusing more on action than horror. There aren't many scares to be had and certain overly-sexual scenes will make just about everyone reach for the remote. Both Arnold Schwarzenegger and Gabriel Byrne look out of place in the movie. No one wants to see a depressed Arnold trying to show emotion and no one wants a boring Satan. End Of Days is good for a nostalgia trip and for an explosion fix. That's about it.

4.5/10

Day 349: Trollhunter

Trollhunter

Trolleo and Juliet

The scariest villains and monsters come from our oldest stories. They have been passed down over the decades and centuries through word of mouth and stories. Even from a young age, we know about vampires, werewolves, and the boogeyman. These characters are so ingrained in our cultural that they're almost on the same level as George Washington and Babe Ruth. One monster that has been around for hundreds of years, but never received a lot of attention from the horror world is the troll. I don't know why they don't get a lot of attention. They're big, they're mean, they're scary, and they eat cute animals. And no, Troll and Troll 2 don't really count. It took a film Norway, land of the trolls, to bring them into the spotlight.

Trollhunter is a 2010 Norwegian monster movie shot in a found footage documentary style. The movie stars Glenn Erland Tosterud as Thomas and Otto Jespersen as Hans. Thomas is college student working on a documentary about a bear poacher with cameraman Kalle (Tomas Alf Larsen) and soundwoman Johanna (Morck). Bear poaching is a serious crime in Norway and Thomas is determined to capture the culprit on film. They interview local hunters as well as Finn Haugen (Hans Morten Hansen), the head of the Norwegian Wildlife Board. Despite certain bear tracks looking odd, Finn dismissed the idea that it could be anything but a bear. Their investigation leads them to a secretive man named Hans who is known to disappear into the woods every night. The film crew follow him into the woods only to be surprised by Hans running up to them and yelling “Troll!” Thomas is attacked by an unseen animal, sustaining a wound on his shoulder. When they make it back to their car, they find it completely destroyed. Hans takes the crew back, admitting that he is actually a troll hunter. Tired of all the bureaucracy and hunting, Hans allows them to film his work, no longer concerned with keeping trolls a secret. The next night, Hans takes them to find a troll that has left it's usual area. He asks the crew if any of them are Christian or believe in Jesus and they all claim not to. The troll, smelling Christian blood, finds them and gives chase. Hans hits it with UV light, turning it into stone, and then smashes the stone. Finn comes to the sight and has a crew bring in a bear carcass to cover up what really happened. It is revealed that many trolls have been leaving their usual areas and attacks on humans are increasing. Will Hans and the film crew be able to find out why and stop it before the world learns that trolls really do exist?

 Oh, kopulere!

I have to say that I am very tired of found footage horror movies. Trollhunter is made on a relatively small budget, so having the movie done in the found footage style makes sense. If you loved all the yelling and running through the woods of The Blair Witch Project, you'll really enjoy Trollhunter. There is a lot of the shaky camerawork during the action scenes which tended to make me nauseous. It's good for cheap thrills and excitement, but gets tiresome. Combine that with the cliché nightvision and the movie tends to feel amateurish in look. What saves the film from looking completely unprofessional is the quality special effects used for the trolls. The trolls have a lot of variety in terms of look, height, weight, and even names. It's fun hearing Hans go through the different types of trolls, explaining what they eat and how they live. The movie includes a fair amount of Norwegian folklore, which is interesting, though I probably missed a lot of nuances. The scenic beauty of Norway is on full display, ranging from the fjords to the wilderness to the frozen tundra.

I hesitate to call Trollhunter a “mockumentary” only because I don't see a clear mocking in the movie's story. The movie is fairly light-hearted for a horror film which I feel hurt the movie overall. When Thomas was injured from a troll, I was expecting him to eventually turn into a troll. Sadly this doesn't happen and takes a lot of suspense away from the movie. It's essentially a dead-end plot point. The action is good when the camera isn't shaking all around and there are some genuinely funny scenes sprinkled throughout. Pacing is a bit of an issue in the film as the character go from troll to troll almost like checkpoints in a video game leading up to the big boss battle at the end. When they're not dealing with trolls, I felt boredom creeping in. There aren't many scares in the film, though there are some intense moments. The acting is good with Otto Jespersen putting in the best performance. He exudes a quite, veteran confidence that makes the movie far more believable than one would expect. 

"Go to hell, paparazzi! You make me sick, you parasite!"

There is nothing particularly brilliant or innovative about Trollhunter. It's fairly flat in terms of storytelling and devoid of much emotion. The main selling point is that it's from Norway and features a monster not commonly used in horror. The natural beauty of Norway is quite enjoyable to look at while the film crew drives around the winding mountain roads. Thankfully, the movie is in Norwegian with subtitles rather than a terrible dubbing, like in fellow Norwegian horror movie Dead Snow. The trolls actually look pretty good and have a lot of variety in their looks. I didn't care for the shaky found footage-style camera work and the multiple scenes of walking through the woods. If I never seen another night vision shot in a horror movie, it will be too soon. The acting is good enough to push the movie into a more believable light and the direction is fine. While it was nice to see a movie from a country not particularly known for it's horror and starring a monster not known for showing up in scary movies, I just wasn't particularly impressed with Trollhunter.

6/10

Day 348: Scanners

Scanners

Too spicy?

I don't really believe in telekinesis or telepathic abilities. I'm sure some people use their brains more than others (The North vs The South for example), but I don't think someone can burst into flames via thought power. And would it really be fun to hear people's thoughts? I can barely tolerate what they actually say. While in real life these abilities may not be all they're cracked up to be, in horror they serve as a good plot point. It can create interesting and terrifying stories or just create some fun action sequences. And if David Cronenberg at the helm, you know you're in for a wild ride.

Scanners is a 1981 science fiction horror movie written and directed by David Cronenberg (Videodrome, The Brood). The movie stars Stephen Lack (Dead Ringers, Head On) as Cameron Vale and Michael Ironside (Total Recall, Starship Troopers) as Darryl Revok. Over 200 people in the world are known to be Scanners, humans with the ability to read (scan) minds through telepathy and cause physical harm through telekinesis. ConSec, a corporation that specializes in weapons and security systems, searchers out these scanners in hopes of protecting them. Scanners tend to not understand their abilities and are usually committed to mental hospitals because they “hear voices”. Cameron Vale is a powerful vagrant Scanner who is brought in to ConSec and trained by Dr. Paul Ruth (Patrick McGoohan, Braveheart, Escape From Alcatraz). During a conference, ConSec has one of their own Scanners scan a volunteer from the audience. The volunteer is actually Darryl Revok, an incredibly powerful Scanner, who uses his powerful to make the other Scanner's head literally explode. He escapes capture, killing several ConSec security agents in the process. Following the incident, Bradeon Keller (Lawrence Dane, Bride Of Chucky, Side Effects) is brought in as the new head of security. He and Ruth decide to have Cameron infiltrate the Scanner community and route out Revock before he can do any more damage. Ruth tells Cameron that there is a drug called ephemerol that can suppress a Scanner's abilities long enough to be captured. Cameron eventually finds a telepathic named Kim Obrist (Jennifer O'Neill, Rio Lobo, A Force Of One) who has brought together a group of Scanners. They are attacked by Revok's assassins and have to go on the run. They learn that a large shipment of ephemerol is being delivered to Revok. What does Revok have planned with the ephemerol and how will Cameron stop the most powerful Scanner on Earth?

Feelin' hot, hot, hot!

“Ever see that scene in Scanners when that dude's head blew up?” That line is from Wayne's World when Garth is stuck doing the show by himself. As a little kid, I didn't fully understand the joke, but I found it funny anyway. Now, after finally seeing Scanners, that line is even funnier. The scene is quite surprising (despite being one of the most widely used .GIFs on the internet). We're not quite sure what is about to happen and it's sheer brutal violence and gore is almost unparallelled. David Cronenberg is known for his graphic special effects and “body horror”, but Scanners is relatively tame compared to some of his other work like The Brood and The Fly. Most of the body horror doesn't come until the final showdown between Cameron and Revok. It's quite an impressive scene, full of suspense, action, insane violence, and great prosthetic work. The science fiction aspect of Scanners is fairly engaging, even for people that don't consider themselves to be fans of the genre.

While the opening twenty minutes and the final ten and full of excitement and bizarre horror, the movie does get slow in the middle. Rather than focusing on horror or even science fiction, the movie becomes more of a mystery as Cameron tries to find out what is going on. It's somewhat interesting, but compared to the opening, it's downright mundane. If Cronenberg had focused just on the horror, Scanners would have been utterly terrifying. I mean, there are a select number of people so powerful that they can physically throw people across a room just by using their mind. Why bother with a mediocre mystery that doesn't get solved until the final scenes? Michael Ironside is a great villain as always and I would have liked for him to have more screen time. Stephen Lack is decent as the main hero, though there was something about him that I just didn't care for. Maybe it was because he went from being a derelict to a fully-skilled Scanner in the span of about fifteen minutes. Or maybe he just has a really punchable face.

R.I.P. Mr. Watermelonhead

Scanners is a decent science fiction horror movie with a few really great scenes. While there isn't as much body horror as one would expect from a Cronenberg film, we still get some disturbing images and incredible violence. The film had a hectic schedule and Cronenberg said that it was a nightmare to make. The beginning and ending are highly entertaining, but the movie becomes too much of a mystery while pushing horror to the side. The movie had a lot of potential, but it just didn't reach the level of greatness that it could have. Regardless, it's still a fun watch if for nothing more than heads exploding and veins leaking.

7.5/10

Day 340: The Lost Boys

The Lost Boys

Not pictured: Starter jackets, LA Gear sneakers, and Jersey hair

Teen vampire movies weren't always relegated to crappy romance novel adaptations where people swoon over brooding bloodsuckers that sparkle in the sunlight and have strong religious overtones. In fact, the 1980's were full of vampire movies. We had Fright Night, the Jim Carey-starring Once Bitten, My Best Friend Is A Vampire, Lifeforce, and Near Dark. These weren't just one-note vampire movies either. Some were comedies, some were action/adventures, some were straight horror. There was one vampire movie from the 80's, though, that manage to touch on many different genres while encapsulating the very essence of the 1980's. That movie is The Lost Boys.

The Lost Boys is a 1987 teen vampire movie starring Corey Haim (License To Drive, Lucas) as Sam Emerson and Jason Patric (Sleepers, Narc) as his older brother Michael. Along with their mother Lucy (Dianne Wiest, Edward Scissorhands, Bullets Over Broadway), the boys move to Santa Clara, the supposed murder capital of the world, to live with their grandfather. Michael and Sam hang out on the boardwalk when Michael spots a beautiful girl named Star (Jami Gertz, Less Than Zero, Sixteen Candles) and pursues her. She runs with a gang lead by the mysterious vampire David (Kiefer Sutherland, 24, Mirrors). Wanting to stay with Star, Michael goes along with David as the gang initiates him through various dares and challengers. Michael drinks from a bottle containing blood, thus beginning his transformation. Meanwhile, Sam visits a comic book store where he meets Edgar Frog (Corey Feldman, The Goonies, Stand By Me) and his brother Alan (Jamison Newlander, The Blob, Lost Boys: The Tribe). They insist that Sam read a comic called “Vampires Everywhere!”, warning him that it could save his life. The next day, Michael develops a thirst for blood and is sensitive to sunlight. He is even attacked by Sam's normally docile dog Nanook. After retreating to his room, Michael begins to levitate and fly against his will, terrifying Sam and prompting Lucy to come home from her date with Max (Edward Herrmann, Gilmore Girls, The Aviator). Sam discovers that his brother is only half-vampire and his humanity could still be restored by killing the head vampire. Sam and the Frog brothers believe that Max is the head vampire and put him through various tests made to look like accidents. He passes them though, leaving the boys without a clue as to who the head vampire may be. After an incident where the vampires kill some surfers, Star visits Michael, revealing that she too is half-vampire and that she wants to be cured as well. They all travel to the vampire's hideout and stake one vampire (Alex Winters, Bill from Bill & Ted's Excellent Journey) but must flee when the rest wake up. That night, the teens arm themselves with weapons to fight against the vampires. Who is the head vampire and will Sam be able to free his brother before it is too late?

"What? I can't hear you over that hideous shirt!"

If aliens ever came to our planet and wanted to know what the 1980's were all about, you'd show them The Lost Boys (or maybe Mannequin if you were feeling mean). The culture, the clothes, the mullets, the music. All that was really missing was Hulk Hogan and some power suits with shoulder pads. It's all so very 80's and I mean that in a good way. While the movie is geared towards teens and horror fans, the story is quite entertaining. It mixes action, adventure, teen angst, and comedy without ever really losing it's horror edge. Granted, it's still teen-friendly, but that's just a movie knowing it's audience. The movie focuses on both Michael and Sam, giving the movie a wider range of teen and young adult fans. There are some scares and some blood, but not enough to keep the average non-horror fan away. The humor isn't overpowering, but it lightens the mood when necessary.

The movie's visual style is quite striking with beautiful sweeping shots of the ocean combined with a soaring musical score. The Lost Boys proves that Joel Schumacher, the man who directed such stinkers as The Number 23, Batman Forever, and Batman & Robin) can actually direct. The action is decent and thanks to some prosthetics and color contacts, the vampires don't look half bad. The movie is helped greatly by the good performances from Kiefer Sutherland, Jason Patric and the two Coreys. While most modern audiences are used to the badass Jack Bower Kiefer Sutherland, it's nice to see him play a villain so well. He plays the vampire David with a sly, dangerous edge, like he's the cool older kid in high school that wears a leather jacket and hangs outside during lunch. Corey Haim is good as the younger brother, serving as a solid avatar for the audience. The ending is a bit of a blow-off, but in that special 80's way where everything is perfectly fine.

We call that "Cold Toilet" face

The Lost Boys has found a wide audience and thanks to a high nostalgia factor, two sequels have come out in recent years. It's one of the quintessential teenage movies from the 80's along with The Breakfast Club and Ferris Bueller's Day Off. It's a fun little story that combines a lot of different genres with relatable teenage angst. The undercurrent story of teens moving to a new place, falling into the wrong crowd, and their mother dating is all a clever parallel to the problems that many in the audience face. The movie has some good action, but it may not be enough for true horror fans. The acting is good and it's fun to see all the wonderful things from the 1980's. Whether you're feeling nostalgic or just need a fun, relatively harmless horror movie, The Lost Boys is worth the watch.

8/10

Day 323: Maximum Overdrive

Maximum Overdrive

Minimum entertainment

For someone who has had dozens of his stories turned into movies, Stephen King has only directed one. It's easy to forget that when a movie says “Stephen King presents” or “Stephen King's” he's not actually sitting in the director's chair. In the right hands, King's work can be immensely entertaining and incredibly terrifying, such as the Rob Reiner-directed “Misery” and the Stanley Kubrick-directed “The Shining”. In the wrong hands, we get mediocre movies like Cujo and Graveyard Shift. King's work has a wide range in terms of subject matter and pure horror. It takes skill and patience to lay out his works, especially his short stories. With this in mind, you would think that Stephen King's directorial debut of his own story would be great. Keep in mind, this movie came out in 1986. In the book Hollywood's Stephen King, King himself admitted he was “coked out of [his] mind all through its production, and [he] really didn't know what [he] was doing." Great.

Maximum Overdrive is 1986 horror/action movie based on Stephen King's short story “Trucks”. The movie stars Emilio Estevez (The Breakfast Club, The Mighty Ducks) as parolee Bill Robinson. Earth passes through the tail of a rogue comet called Rhea-M, bathing the planet in an eery green glow. Mechanical objects gain sentience with murderous intent. Bridges lift on their own, ATMs have smart-ass remarks, soda machines fire out drinks at deadly speed, and vehicles now drive themselves. The machines start killing humans and animals alike with no mercy. At the Dixie Boy truck stop in Wilmington, North Carolina, a waitress is attacked by an electric knife and a man is killed by an electric shock from an arcade game. The truck stop, containing cook and ex-con Bill Robinson, traveler Brett (Laura Harrington, The Devil's Advocate, Quantum Leap), newlyweds Connie (Yeardley Smith, the voice of Lisa Simpson) and Curtis (John Short), Bill's boss Bubba Hendershot (Pat Hingle, Batman, Wings), and a group of truckers is surrounded by a caravan of sentient trucks. The leader is a large tractor trailer hauling toys, complete with a giant Green Goblin mask on the grill. The trucks kill anyone who tries to leave and terrorize the survivors inside. Via morse code, the trucks demand that the humans fill them up with gas. Will Bill and the rest of the group come up with a plan to escape and stop the killer machines?

"Can you be a doll and get me some Visine? I've been up for days."

Killer sentient machines have been done many times before. In the abstract, like Terminator, Videodrome, and Westworld, the killer machines are given a “face” and possess some sort of personality. When it's just a regular old machine trying to kill someone, it usually comes off as silly. They tried with the giant Green Goblin mask (the real Green Goblin face, not that Willem Dafoe atrocity from the movie), but it's not really enough. Goofy is probably the best way to describe Maximum Overdrive. If he wanted, King could have actually made the movie scary, but instead of we get mediocre comedy and lots of explosions. The first thirty minutes of the movie are the best as we get to see all sorts of machines wreak havoc on the population. It's when we get stuck at the diner that the movie comes to a slow, staggering death. The movie was far more interesting in a heavily populated area as we see the spectacular crashes from a bridge raising with cars still on it. I'm sure budget had something to do with it, but with $10 million, they could have made it work. The isolated location of the diner allowed for more structural damage, but it's far less interesting to watch. Part of the problem is that there are a lot of people in the diner. It would be fine if a lot of them were killed, but we only get a handful and are stuck with too large a group to focus on and connect with.

The movie actually received two Golden Raspberry Awards nominations for Worst Director and Worst Actor (Emilio Estevez). While the direction is not good, I wouldn't say it's utterly atrocious. I've seen way worse which really says a lot. Certain scenes show a certain amount of style and skill, so it's not like Stephen King is completely devoid of talent. He probably just should have laid off the drugs. Think I'm wrong? Just take a look at this promo for the movie. King looks like a whacked-out Vince Russo ready to hit the clubs. I like Emilio Estevez and I didn't think his performance was that bad. Maybe that's just my Mighty Ducks love talking, but I didn't feel any disgust towards him. The supporting cast is fine, though Yeardley Smith's voice became very grating towards the end. The movie has a good amount of violence and plenty of explosions. There really isn't much horror to speak of as the constant blaring of AC/DC throughout the entire film takes away any fear or atmosphere. It may have helped revive their career, but I just don't care for them and would have enjoyed silence compared to their cock-rock shouts.

I think the movie is trying to tell me something...

I pretty much got what I expected from Maximum Overdrive, which isn't saying much. It was pretty clear that the movie's plot was stretched out to make it a full length. The movie differs strongly from the original short story, focusing more on jokes and action and than actual horror and atmosphere. Despite plenty of explosions and some good scenes of violence, the movie is generally boring and full of plot holes. There are too many characters in the diner and not enough of them are killed. Stephen King's directorial debut was pretty much a flop, but he did show some skill. I really couldn't stand all the AC/DC, both as a fan of music and a fan of horror. Maximum Overdrive is best watched with a group of friends ready to make jokes. Beyond that, it's just a product of the drugged-out 80's.

4.5/10

Day 321: Night Of The Creeps

Night Of The Creeps

Aw, I thought this was "Night Of The Crepes"

Everyone loves a good B-movie. We all have a favorite, whether it's Killer Klowns From Outer Space or Attack Of The Killer Tomatoes or Leprechaun In The Hood. There's just something fun about a movie that isn't quite on the same level as something coming from a major studio. It's the lower budgets, the it's the questionable stories, and the the mediocre acting. B-movies take more risks, mostly because they have to. Sometimes we get gems, sometimes we get bombs, and sometimes we get movies that are so bad that they're good. One movie in the 1980's took our love of B-movies and created an homage to the genre by becoming a B-movie itself.

Night Of The Creeps is a 1986 science-fiction zombie movie starring Jason Lively (National Lampoon's European Vacation, Brainstorm) as Chris Romero and Tom Atkins (Creepshow, Maniac Cop) as Detective Ray Cameron. In 1959, an alien aboard a spaceship releases a canister that crashes on Earth. A boy out on a date with his girl comes across the canister just as an escaped mental patient attacks her. Inside the canister is a strange leech-like creature that leaps into his mouth, turning him into a zombie. 28 years later, Chris Romero and his friend James Carpenter “J.C.” Hooper (Steve Marshall, 21 Jump Street, Justice Denied) attend a frat party at Corman University. Chris is smitten with a sorority girl named Cynthia Cronenberg (Jill Whitlow, Twice Dead, Porky's) but is too shy to speak to her. Convinced she'd only be interested in a frat guy, Chris and J.C. Try to pledge with the Phi Omega Gamma. As part of their initiation, both have to bring a cadaver back from a local medical center. Once inside, the boys release a corpse, the boy from 1959, from it's chamber. A doctor catches them and they flee back to their dorm. Detective Ray Cameron, a surly, jaded police officer, investigates and discovers that the corpse is actually missing. The missing body makes it's way to Cynthia's sorority where it's head splits open, releasing the alien leeches. The leeches begin to infect people, turning them into murderous zombies. J.C discovers that fire can kill them, but is soon infected himself. Will Chris be able to stop the zombies and save Cynthia and how does Detective Cameron fit in to the original incident in 1959?

Everyone remembers prom night

This movie sets out to be an homage to B-movies and accomplishes it's goal. It's a silly horror/sci-fi romp with plenty of over-the-top action and snappy one-liners. It's funny watching this movie after seeing Slither because there are some blatant similarities. Alien leeches? Check. Infecting through the mouth? Check. Zombies? Check. Regardless, Night Of The Creeps revels in it's B-movieness as it is full of love for the genre. There are plenty of references throughout, some more obvious than others. A quick look at the list of characters reveals names such as Romero, Carpenter, Cronenberg, Corman, Landis, and Raimi. Certain scenes are reminiscent of other horror movies as well. The difference between this homage to horror movies and, say, Hack!, is that the references aren't thrown in the audience's face. I never felt like I was being bludgeoned over the head with references. The story progresses without having to stop every few minutes to give a nod to another famous horror movie.

We get a decent amount of action throughout the movie and the final battle, complete with Cynthia holding a flamethrower while in her formal dress, is highly entertaining. The zombies look decent, just right for that specific B-movie quality. Tom Atkins, the perennial cop, plays his role unsurprisingly well. He's extra surly, giving snappy, sarcastic answers to stupid questions. Some lines are funny, while a few do fall flat. One scene where he shouts, “It's Miller Time!” is funny for it's initial purpose, but also because it's so dated. It's like seeing a movie ten years from now where some shouts “Just Do It!” Even non-horror aficionados will get some laughs out of the movie, though there's no real gut-busting hilarity. 

He's still having a great hair day, though

Night Of The Creeps is one big love letter to the wonderful world of B-movies. From the characters to the plot, the movie is like an old blanket. It's nothing new and may not impress, but it's still enjoyable nonetheless. The story is decent and gets to the point quickly. The aliens in the beginning are a little funny looking, but they're only around for a minute or too, so it's not a big deal. I guess that's the point, anyway. The movie has it's funny moments, but can feel dates at times. Some jokes do fall flat, but nothing bad enough to send the movie off the rails. The action is good and the zombies have that classic B-movie look to them. Tom Atkins is highly enjoyable as always. While not the best known horror movie from the 80's, Night Of The Creeps is worth searching out.

7.5/10

Day 307: 30 Days Of Night

30 Days Of Night

They could reuse this poster for the Red Dawn remake

Comic book movie adaptations are all the rage nowadays. Thanks to the success of movies like Spider-Man, The Dark Knight, The Avengers, and X-Men, you can barely go two months without another comic book movie popping up. Flying under the radar, though, are movies based on horror comic books. While not as popular as they were in the EC comics days, there is a steady stream of horror-centric comic books. At the forefront of these stories is Steve Niles, whose work I've previously reviewed in “Remains”. Niles has come out with a string of enjoyable comic books, most notable Criminal Macabre, Bad Planet, and his most famous mini-series, 30 Days Of Night. 30 Days Of Night proved to be so popular that it was only a matter of time before it made it to the big screen.

30 Days Of Night is a vampire movie based on the comic book of the same name written by Steve Niles. The movie stars Josh Hartnett (The Faculty, Pearl Harbor) as Sheriff Eben Oleson and Melissa George (Turistas, The Amityville Horror) as his estranged wife Stella. Eben is the sheriff of the small Alaskan town of Barrow, famous for having no sunlight for a full 30 days. As the town prepares for the month of darkness, a stranger (Ben Foster, 3:10 To Yuma, Pandorum) arrives via boat and begins sabotaging the town's phones and power supply. Eben receives a call from Stella, asking for him to pick her up after she misses the final plane to Anchorage. Still angry at her for their pending divorce, Eben sends his deputy Billy (Manu Bennett, The Marine, The Condemned) to get her while he investigates a call about sled dogs being killed. Eventually, Eben comes across the stranger in the town diner and arrests him. In jail, the stranger taunts Eben and Stella, telling them that death is coming. Just then, the power goes out and a group of unknown creatures viciously attack people around town. The assailants are vampires that have come to Barrow to feast during the month of darkness. Led by Marlow (Danny Huston, The Constant Gardener, Clash Of The Titans), the feral vampires cut a bloody swath through town, using both the brains and brawn to feed. Eben and Stella hold up in an attic with a few other survivors, trying to figure out what they can do. Weeks pass and still they cannot come up with a solution. With food running low and time running out, how will Eben and Stella kill the vampires before it is too late?

The dreaded "Circle of Vampires and Flames" death match

The biggest thing 30 Days Of Night has going for it is the fairly original idea of the setting. The unique combination of frozen tundra and seemingly never-ending darkness makes for a fun and interesting background that most other vampire movies lack. The vast emptiness and the black abyss create a hopeless atmosphere which feeds into the overall despair and helplessness from the vampire attack. These are not your weepy, sparkly vampire either. These vampires are shown as vicious, remorseless blood-thirsty animals, complete with extra sharp teeth. They speak in their own vampiric language, which is a fun touch, though the sounds they make do get a little grating. There was one scene where a little vampire girl spoke in perfect English, which I found strange, considering the movie went to great lengths showing these vampires didn't really speak it. They even make it a point to mention that the girl isn't from the town. It's a very minor point, so it doesn't really matter, it just kind of bugged me. If anyone has an explanation, please let me know. The vampires look very similar to the illustrations in the comic book and I give the filmmakers credit for trying to stay true to the comic.

The story itself follows the comic fairly well with some changes here and there. There is plenty of action and lots and lots of blood and gore. The camerawork during the action is all over the place and while it does help increase the frantic nature of the violence, it does become nauseating. Certain action sequences, like when a vampire jumps onto Eben's truck, looks very cartoonish. That would have been fine if the movie went in that direction, but that wasn't the case. After the initial attack, the movie loses it's direction and can't seem to find itself until the last 15 minutes or so. Part of the problem is that the movie runs just a little too long for no particular reason. Both Josh Hartnett and Melissa George play their parts well, but Ben Foster steals the show with his excellent performance as the stranger. Without even saying a word, Foster is able to convey a sense of discomfort and fear in the audience. Despite having a relatively small role, Foster makes it incredibly entertaining.

Oh, (neck) snap!

30 Days Of Night is a good horror movie and a good comic book movie. The story is fairly unique and the action is fast-paced. There is plenty of blood and enough gory scenes to satiate the true horror fan. The movie slows down after the initial excitement and has trouble finding it's footing. It's a little too long and doesn't know how to bring everything together. The camerawork is all over the place, causing the action to be hard to focus on. The acting is good with Ben Foster putting in the best performance. You don't have to know the comic book or even like comics to enjoy 30 Days Of Night. It's a fun horror movie with great action, good suspense, and a few scares.

7.5/10

Day 304: Creature From The Black Lagoon

Creature From The Black Lagoon

Apparently, the lagoon gives you soft, pouty lips

Dracula. The Wolfman, Frankenstein's monster (Frankenstein is the name of the doctor, people). The Mummy. These classic movie monsters receive lots of love and attention and rightfully so. They've had countless remakes and adaptations, appeared in video games, comic books, and products. To this day, people still get dressed up as these monsters for Halloween. There is one classic monster that always seems to be left out: The Creature from the Black Lagoon. What is it about the creature that doesn't put it on the same level as the others? Is it because the creature doesn't really come from a well-known novel? Is it a lack of sequels and remakes? Is it because it doesn't actually have a name? It's certainly not because the movie is bad.

Creature From The Black Lagoon is a 1954 monster movie starring Richard Carlson (It Came From Outer Space, The Magnetic Monster) as Dr. David Reed and Julie Adams (The Rifleman, Maverick) as his girlfriend, Kay Lawrence. While on an expedition in the Amazon, Dr. Carl Maia (Antonio Moreno, The Searchers, The Spanish Dancer) discovers the skeletal remains of an arm that appears to have a webbed hand. Maia is able to convince his friend Dr. David Reed, an icthyologist, to aid him in the excavation of the skeleton. They are joined by David's girlfriend Kay and Dr. Mark Williams, who funds the expedition. The take the steamer Rita down the Amazon to the camp site, where they find Maia's team brutally murdered by some sort of animal. Unknown to the group, the killer was actually an amphibious humanoid, the same species as the skeleton that Dr. Maia discovered. The group travels into the nearby black lagoon in hopes of finding more of the skeletal remains. The creature, or Gill-man, watches the expedition as the search the lagoon and becomes infatuated with Kay. It eventually kills two of the crew members on the ship. They poison the water and are able to capture the creature for a short time, but it escapes. Will they be able to capture this creature before it takes Kay?

"Has anyone seen my chapstick? I'm feeling chappy."

In classic monster movie fashion, Creature From The Black Lagoon has an equal mixture of mystery, action, romance, and traditional scares. While the movie may be almost 60 years old, it still manages to be quite entertaining. The action starts out almost immediately despite not showing the creature right away. We only see it's amphibious webbed hand, but it's enough to whet the audience's appetite and send imagination's soaring. Gill-man is essentially a man in a rubber suit (technically two different men, one for land shots and one for swimming), it looks far better than other monsters from the same era. Strong detail is given to the suit with authentic looking skin and fins. The face does have some motion to it and actually appears to be breathing when out of water. Many of the underwater scenes look very good, thanks to being shot in a studio rather than an actually body of water.

Originally filmed in 3D, the movie doesn't have the usual hallmarks you see in modern 3D films. There are no blatant scenes where someone is specifically pointing something at the screen for 3D purposes. The horror of the film is helped along thanks to the music in the film, which consisted mostly of blaring trumpets. It serves it's purpose, but tends to be a little grating by the end. Director Jack Arnold has a good eye for capturing both the action and terror in the movie. The acting is good, especially considering the creature is just a guy in a suit. Julie Adams doesn't play the straight damsel in distress role, giving the character more depth. There are just enough characters involved to kill off a few without diluting the story. The movie has a good amount of action, but since it's from the 1950's, of course there is no blood. C'mon, there are kids watching!

"Attica! Attica! Attica!"

Creature From The Black Lagoon is a fun monster movie from an era where a man in a rubber suit was still terrifying. The story movies quickly and has a good amount of action for the time period. The underwater scenes look great and the makeup used for the monster is spot-on. The combination of good acting and directing helps elevate the movie to a better level than other contemporary monster movies. The movie doesn't have the built-in story that other classic monster movies do, but it still manages to be entertaining. Why Gill-man doesn't get as much attention as it deserves, it's still a classic monster from a classic movie. Maybe you should dress up like Gill-man for Halloween tomorrow.

8/10